When it comes to latency issues, convolution effects can be particularly problematic, as they’re required to perform a massive amount of calculations to give you the most realistic effects possible. Also new: in the Regions menu, you can now choose a new ‘Select all cut groups to’ option, which will allow you to lash all slices to the same user-defined cut group. First, right-clicking the Send control displays the names of all slice mixer track destinations. One of our favourite FL plugins has a couple of new goodies worthy of attention. Be warned, though: any Audio Units without a Windows counterpart (and vice-versa) will obviously hinder a project’s cross-platform compatibility. Yes, you can now use your favourite AU instruments and effects in FL Studio. Thanks to user demand, Image-Line have stepped up!įL’s newfound Mac compatibility brings with it the ability to access Apple’s Audio Units plugin format. In the past, Edison supported only 16-bit and 32-bit export. This is apparent throughout the program, but sound designers and sample jockeys will be especially pleased with the Edison audio editor’s newfound 24-bit WAV export option.

Once again, Image-Line are stepping up FL’s capabilities to meet the standards expected by pro users. Another feature familiar to old studio pros, this function automatically contains multiple passes in a looped recording into a grouped collection of adjacent tracks, facilitating the creation of comped tracks from multiple takes. Takes are grouped when recording in looped mode. You’ll now know instantly if something’s amiss, such as improper gain levels or a bad connection. It’s comforting to see your waveforms when tracking. This feature is commonplace in many other DAWs, and though it’s a late arrival, we’re pleased as punch-ins to see it introduced at long last. Get a good lookįL Studio now previews audio signals as they’re recorded. For more FL Studio 20 tutorial action, get the Autumn 2018 edition of Computer Music.

Fl studio 10 vs 11